Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Andrea Vaccaro
Penitent Mary Magdalen

ID: 29226

Andrea Vaccaro Penitent Mary Magdalen
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Andrea Vaccaro Penitent Mary Magdalen


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Andrea Vaccaro

Italian Baroque Era Painter, 1604-1670 He first studied literature but at an early age turned to painting. He was probably a pupil of the late-Mannerist painter Gerolamo Imparato, though there are no known works from this period. About 1620 he became a follower of Caravaggio; he copied Caravaggio's Flagellation (Naples, Capodimonte), and his copy and the original hung in S Domenico Maggiore, Naples (copy in situ). David with the Head of Goliath (Florence, Fond. Longhi) and Sebastian (Naples, Capodimonte) are early works indebted to Caravaggio's naturalism and chiaroscuro. After 1630 Vaccaro drew inspiration from Guido Reni, Anthony van Dyck and Pietro Novelli and made copies of their works for Neapolitan collectors and dealers such as Gaspar Roomer and Jan Vandeneyden.   Related Paintings of Andrea Vaccaro :. | The Four Muses with Pegasus fg | Trees on the Hillside at Majorca | European city landscape, street landsacpe, construction, frontstore, building and architecture. 187 | Henri Royer Jeune fille | Ice River |
Related Artists:
Jean Mannheim
1863-1945
Gellee Claude,dit le Lorrain
French , 1600-1682
Francis Campbell Boileau Cadell
Scottish, 1883-1937, was a Scottish painter associated with the Scottish Colourists. Francis Cadell was born in Edinburgh and, from the age of 16, studied in Paris at the Academie Julian, where he was in contact with the French avant-garde of the day. While in France, his exposure to work by the early Fauvists, and in particular Matisse, proved to be his most lasting influence. After his return to Scotland, he was a regular exhibitor in Edinburgh and Glasgow, as well as in London. He painted landscapes, interiors, still life and figures in both oil and watercolour, but he is particularly noted for his portraits, depicting his subject with vibrant waves of colour. He enjoyed the landscape of Iona enormously, which he first visited in 1912 and features prominently in his work.






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